![]() The display also considers fascinating questions about his practice raised by new research: the relationship between drawings and prints, his evolving style as a draughtsman and the involvement of studio hands in his later works.Įxplore the formidable quality of his pen and chalk studies and track his evolution as an artist at this stunning new display. His work as a draughtsman, however, is much less explored – yet his drawing underpinned and nourished his flair with the etching needle. Show the image 'Giovanni Battista Piranesi, 'Il Campo Marzio dell’antica Roma', 1762 (or later), British School at Rome Library. ![]() Drawing, or visual thinking as he calls it, is central to Condo. 1957) that offer an overview of his career over the last forty-five years. In 2021, the Morgan acquired twenty-eight drawings by American artist George Condo (b. His work as a printmaker, whether exploring Roman architecture or displaying flights of spatial fancy in the celebrated Carceri (' Prisons') series, has been the subject of numerous exhibitions. Piranesi is shown alongside works by Pablo Picasso, Robert Delaunay, Ragnhild Keyser, Alvin Coburn, Sergei Eisenstein, Le Corbusier, Rem Koolhaas, Julie Mehretu, and others. Entrance to the Mind: Drawings by George Condo in the Morgan Library & Museum. Celebrating the 300th anniversary of Piranesi's birth in 1720, this display presented the Museum's complete collection of his drawings – unique in being entirely by the master himself.įrom his grand depictions of ancient Rome, to his recordings of the newly-discovered ruins of Pompeii, Piranesi's fantastical drawings are compelling.īorn in Venice and raised in Rome, Piranesi is best known for highly-charged, atmospheric representations of antiquity in his etchings.
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